“I’m” is just an emergence
Damiano Fina’ s biography
Damiano Fina dances and guides courses on the FÜYA method. A pedagogical approach to dance, alchemy and their spiritual origin since the Pleistocene. Since 2004, his research has been influenced by Animism, ancient rituals in the Classical Greece, Dogen’s Zen, Butoh Dance and Quantum Physics. His artistic research explores the illusory contradiction between equilibrium and disequilibrium. He has performed in London, Paris, Berlin, Thessaloniki, Japan and at various Italian festivals. He has a master's degree in Pedagogy of Expression. In 2017 he connected queer theory with butoh dance in his project for a queer pedagogy, publishing the book The dance of Eros and Thanatos butoh and queer pedagogy. In 2020 he published the book FÜYA Method: dance and alchemy.
“The skin is a spread frame, all our organism is made for connection. Conflict is harmony at the same time in this relationship. Rhythm includes silence and sound, notes and noise, order and chaos, good and evil, masculine and feminine, life and death. This is my androgenic obsession. Performing this rhythm is presence writing”.
The presence of the body (with all the entangled presences around it) is the mutual core of Damiano Fina’s works constellation: “Art is worship to the universe. Our organs are always connected with the world, like tentacles. I want to light up the fact that we have to sense our nature. Stop this adolescent time that reveres dualism. Our heart is our brain, our hands are our stomach, our genitals are our posture and our medulla is a tree, a cloud, a street, a pixel or a cow too. There is no parthenogenesis without entirety”.
Damiano Fina is founder of FÜYA, a method based on the equilibrium of the organism and the theory of the four bodies (physical, emotional, spiritual, remote). He writes books about his philosophy and his method. He holds a Master Degree in Pedagogy of Expression and he guides regular workshops. He studied butoh dance with Atsushi Takenouchi and he met Yoshito Ohno, Kazuo Ohno’s son. He performed in London in the art exhibition I am NOT tino sehgal curated by Francesco Bonami, at the Hokkaido Butoh Festival in Sapporo, Japan and at the En Chair Et En Son Festival in Paris.
In 2017 he connected Queer Theory and Butoh Dance in Queer Pedagogy, publishing the book “The dance of Eros and Thanatos for a Queer Pedagogy”. In 2020 he published the book ``FÜYA Method: dance and alchemy``.