Bibliography by Damiano Fina


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Selected Books

Everyone that reaches a particular subject in order to do research ends up with a long list of people that have contributed in a variety of ways. This is a selected list of the greatest gifts for my readings I would like to share. I am truly grateful to all the voices that enhance the debate about these fields of research.

  • Ahmed S., Queer Phenomenology. Orientations, Objects, Others, Duke University Press, 2006.
  • Allsop R., deLahunta S., The Connected Body: an Interdisciplinary Approach to Body and Performance, Amsterdam School of Arts, 1996.
  • Aristotele, Poetica, Editori Laterza, 1998.
  • Banes S., Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body, Duke University Press, 1993 and Democracy’s Body, Durham, 1993.
  • Bauman Z., Liquid Modernity, Blackwell Publishers, 2000.
  • Bennett J., Vibrant Matter: A Political Ecology of Things, Duke University Press Books, 2014
  • Berghus T., Performance Art in China, Timezone 8, 2006.
  • Beuys J., Cos’è l’Arte?, Castelvecchi, 2015.
  • Bishop C., Participation, Whitechapel Art Gallery, 2006 and Artificial Hells, Verso Book, 2011.
  • Bourdieu P., La Distinzione, il Mulino, 1983, (1979).
  • Bourriaud N., Relational Aesthetics, Presses du Reel, 1998 and Postproduction. Come l’arte riprogramma il mondo, Postmedia Books, 2004.
  • Boyd B., On the Origin of Stories: Evolution, Cognition and Fiction, Belknap Press, 2010.
  • Bradburne J.M. a cura di, Blood: Art, Power, Politics and Pathology, Prestel, 2001.
  • Bronson A.A. e Gale P., Performance by Artists, Art Metropole, 1979.
  • Burt R., The Male Dancer: bodies, spectacle, sexualities, Routledge, 2007.
  • Butler J., Undoing Gender, Routledge, 2004.
  • Caillois R., Writing of Stones, University of Press Virginia, 1985.
  • Calame C., I Greci e l’Eros. Simboli, pratiche e luoghi, Laterza, 2010.
  • Calasso R., Il cacciatore celeste, Adelphi, 2016 e L’ardore, Adelphi, 2010.
  • Carlson M., Performance: A Critical Introduction, Routledge, 1996.
  • Carr C., On the Edge: Performance at the End of Twentieth Century, University Press of New England, 1993.
  • Celant G., Dal Futurismo alla Body Art, La Biennale di Venezia, 1977 and Public Body, Charta, 2001.
  • De Certau M., L’Invenzione del Quotidiano, Editore Lavoro, 2001 (ed. origin. 1980).
  • Dewey J., Art as Experience, Southern Illinois University Press, 2008 (ed. origin. 1934).
  • Diamond E., Performance and Cultural Politics, Routledge, 1996.
  • Dreon R., Fuori dalla Torre d’Avorio, Casa Editrice Marietti, 2012.
  • Duchamp M., Duchamp du signe. Écrits, Flammarion, 1975.
  • Dutton D., The Art Instinct, Oxford University Press, 2009.
  • Duchamp M., Scritti, Abscondita, 2005.
  • Eco U., Opera aperta, Bompiani, 2013 (ed.origin. 1962).
  • Export V. e Justessen K., “Jayne Parker” Body as Membrane, Odense, 1996.
  • Fina D., The dance of Eros and Thanatos for a Queer Pedagogy, Lulu, 2018; FÜYA. Il corpo alchemico, Lulu, 2018; Lo Slancio. Etica e Design delle Esperienze di Storytelling, Lulu, 2015.
  • Foucault M., Préface à la trasgression, 1963. Storia della sessualità: La volontà di sapere vol.1 e L’uso dei piaceri vol.2, Feltrinelli 2013 e 2015 edizione originale 1976 e 1984.
  • Fontana G., Frangione N., Rossini R., Italian Performance Art, Sagep, 2015.
  • Fraleigh S., Butoh Metamorphic Dance and Global Alchemy, University of Illinois Press, 2010 and Dancing into Darkeness: Butoh, Zen and Japan, University of Pittsburgh Press, 1999.
  • Fraleigh S. Nakamura T., Hijikata Tastumi and Ohno Kazuo, Routledge, 2006.
  • Fryer D.J., Thinking Queerly: Race, Sex, Gender, and the Ethics of Identity, Routledge, 2005.
  • Frieling R., Art of Participation: 1950 to Now, Thames&Hudson, 2008.
  • Gadamer H. G., Wahrheit und Methode, Tübingen, 1960.
  • Gibson. J.J., The Ecological Approach to Visual Perception, Houghton Mifflin, 1979.
  • Goldberg R., Performance Art: from Futurism to the Present, Thames&Hudson, 1979.
  • Goffman E., The Presentation of Self in Everyday Life, Garden City, 1959.
  • Grosz E., Volatile Bodies: Toward a Corporeal Feminism, Indiana University Press, 1994.
  • Hoffman J. e Jonas J., Art Works Perform, Thames&Hudson 2005.
  • Howell A., The Anlysis of Perfomance Art, Routledge, 1999.
  • Ingold T., The perception of Environment: Essays on Livelihood, Dwelling and Skill, Routledge, 2000.
  • Jones A., Body Art: Performing the Subject, Minnesota University Press, 1998.
  • Jung C.G., Psicologia e alchimia, Bollati Boringhieri, 2006.
  • Kandel E. R., The Age of Insight, 2012.
  • Kant I., Critique of Judgment, Hackett, 1987, (ed. origin. nel 1790).
  • Kosuth J., Art after Philosophy, 1969.
  • Krauss R., L’originalità dell’avanguardia e altri miti modernisti, Fazi Editore, 2007.
  • Lévy P., L’intelligenza collettiva, Feltrinelli, 1996.
  • Lippard L., The Dematerialization of the Artwork from 1966 to 1972, University of California Press, 1997.
  • Mauss M., Teoria Generale della Magia, Einaudi, 2000 (Le tecniche del corpo, 1934).
  • Marcuse H., Saggio sulla Liberazione, Einaudi, 1969 and Eros and Civilisation, 1954.
  • Marioni T., Beer, Art and Philosophy, Crown Point Press, 2004.
  • Marsh A., Body and Self: Performance Art in Australia 1959-1992, Oxford, 1993.
  • Merleu-Ponty M., Fenomenologia della Percezione, Il Saggiatore, 1965, (ed. origin. 1965).
  • Miglietti F.A., Extreme Bodies: the Use and Abuse of the Body in Art, Thames&Hudson, 2008.
  • Mikami K., Deconstruction of Human Body, 2002.
  • Mondrian P., Neue Gestaltung, 1925.
  • Montani P., L’Immaginazione Intermediale, Editori Laterza, 2010 and Tecnologie della Sensibilità, Raffaello Cortina Editore, 2014.
  • Nochlin L., Bathers, Bodies, Beauty: The Visceral Eye, Harvard University Press, 2006.
  • O’ Dell K., Contract with the Skin, University of Minnesota Press, 1998 and Towards a Theory of Performance Art, City University New York, 1992.
  • O’Reilly S., Il Corpo nell’Arte Contemporanea, Einaudi, 2011.
  • Ohno k., Ohno Y., Kazuo Ohno’s World from Whithin and Without, Wesleyan University Press, 2004.
  • Phelan P., Unmarked: the Politics of Performance, Routledge, 1993 and The Ends of Performance, New York University Press, 1998.
  • Pirandello L., Non parlo di me, Ibis, 2010; Uno, nessuno, centomila, Giunti, 2007.
  • Platone, Simposio, Laterza, 1996; Fedro, Laterza, 1998.
  • Pitts V., In the Flesh: the Cultural Politics of Body Modification, Palgrave Macmillan, 2003.
  • Pozzi G., Figure del Dono, Pisa University Press, 2014.
  • Reckitt H. a cura di, Il Corpo dell’Artista, Phaidon, 2006.
  • Ruggieri V., Ravenna A.R., Chianura L., Esistenze possibili. Clinica, ricerca e percorsi di vita nei disturbi dell’identità di genere, Edizioni Universitarie Romane, 2006.
  • Schneeman, More Than Meat Joy, New Paltz, 1979/1997.
  • Schneider R., The Explicit Body in Performance, Routledge, 1997.
  • Shepard S., Theatre, Body and Pleasure, Routledge, 2005.
  • Shusterman R., The end of aesthetic experience, in The Journal of Aesthetics and Art Criticism, vol. 55, n.1, 1997.
  • Taylor D. e Villeglas J., Negotiating Performance: Gender, Sexuality & Theatricality in Latino America, Durham, 1994.
  • Thompson N., Living as Form: Socially Engaged Art from 1991-2011, Mit Pr, 2012.
  • Van Der Brand J., Tino Sehgal: Art as Immaterial Commodity, Lap Lambert, 2015.
  • Vergine L., Body Art e Storie Simili – Il Corpo come Linguaggio, Skira, 1974.
  • Warr T. e Jones A., The Artist’s Body, Phaidon Press, 2000.
  • Welchman J., The Aesthetics of Risk, JRP Ringier, 2008.
  • Welton D., Body and Flesh: A Philosophical Reader, Blackwell, 1997.

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